A barely perceptible annunciation....

"For things are what they are, earth and sky, cloud, furrows, undergrowth, stars; it is things alone which transfigure themselves, in no way are they symbols; they are the world we breathe..."

...

Text from Philippe Jaccottet's Landscapes with Absent Figures, Editions Gallimard, 1979

Committed the Stars to the Moss's Protection...

There is no sky these nights

in early July, just an emptiness,

a pale absence

over the woods and bogs and

the haze-blue fields [...]

But it has committed the stars

to the moss's protection,

the moss in the woods

the mildest and softest on earth.

I walk among star images,

walk like a little Lord

through galaxies

of shining whiteness.

...

~ Images: Solar prominences and sunspots from Professor Todd's New Astronomy, circa 1897. Color images by Etienne Leopold Trouvelot.

~ Text: Starflowers from We Own the Forest and Other Poems: Hans Borli

Sound as a Golden Ornament in Space....

They gathered round it as round a fountain and for a few moments forgot everything else: it was as though this slender golden thread of sound, rising and falling, were winding itself round them and linking them in that unity on which the comfort of their living and dying was established; it was as though this thread which wavered up and filled their being, and yet curved and wound back again to its source, suspended their speech, perhaps because it was a thin, golden ornament in space, perhaps because it brought to their minds for a few moments that they belonged to each other...

...

~ Text: Hermann Broch

~ Image: Cymbelstern, 15th or 16th century

The Art of Enclosure...

Wienhausen, Cistercian convent, cloister walk with chests

Eberbach, Cistercian monastery, interior


Psalter and Hours of Bonne of Luxembourg
A life-size arme Christi, the side wound of Christ, or "the entrance to Christ's heart"



"Paradiesgartlein," Kloster Ebstorf
Silk flowers for an "enclosed garden"

Portable altar, German, ca. 1490, D.C., National gallery of Art

Garden of virtues, Somme le roi, London, British Library

Images ~ from The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany

As by the Delicate and Spiritualised Machinery...

Volume One, Swann's Way ~

Perhaps it is not-being that is the true state, and all our dream of life is inexistent; but, if so, we feel that these phrases of music, these conceptions which exist in relation to our dream, must be nothing either. We shall perish, but we have as hostages these divine captives who will follow and share our fate. 

Volume Two, Within a Budding Grove ~

One felt that she did not dress simply for the comfort or the adornment of her body; she was surrounded by her garments as by the delicate and spiritualised machinery of a whole civilization. 

Volume Three, The Guermantes Way ~

Similarly, in later years, in Venice, long after the sun had set, when it seemed to be quite dark, I have seen, thanks to the echo, itself imperceptible, of a last note of light held indefinitely on the surface of the canals as though by the effect of some optical pedal, the reflexions of the palaces displayed as though for all time in a darker velvet on the crepuscular greyness of the water. 

Volume Four, Sodom and Gomorrah ~

But where was she? With the sound of her voice were blended other sounds: a cyclist’s horn, a woman’s voice singing, a brass band in the distance, rang out as distinctly as the beloved voice, as though to show me that it was indeed Albertine in her actual surroundings who was beside me at that moment, like a clod of earth together with which we have carried away all the grass that was growing from it.

Volume Five, The Captive, The Fugitive ~

Stretched out at full length on my bed, in an attitude so natural that no art could have devised it, she reminded me of a long blossoming stem that had been laid there; and so in a sense she was: the faculty of dreaming, which I possessed only in her absence, I recovered at such moments in her presence, as though by falling asleep she had become a plant. In this way, her sleep realized to a certain extent the possibility of love: alone, I could think of her, but I missed her, I did not possess her; when she was present, I spoke to her, but was too absent from myself to be able to think of her; when she was asleep, I no longer had to talk, I knew that I was no longer observed by her, I no longer needed to live on the surface of myself. 

Volume Six, Time Regained ~

I felt, however, that these truths which the intellect educes directly from reality were not altogether to be despised, for they might be able to enshrine within a matter less pure indeed but still imbued with mind those impressions which are conveyed to us outside time by the essences that are common to the sensations of the past and of the present, but which, just because they are more precious, are also too rare for a work of art to be constructed exclusively from them. 

~Marcel Proust, In Search of Lost Time

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